Family of LefËvre

From the Catholic Encyclopedia

There were various members of the LefËvre family engaged in tapestry weaving in the seventeenth and eighteenth centuries. We hear of one Lancelot LefËbvre as one of the masters of tapestry weaving in Brussels and in Antwerp in 1655; and in Italy, in 1630, we read of a certain Pierre le FËvre, a master tapestry worker, who was a native of Paris. It is not known whether these two men were connected one with the other, and of their personal history we know very little. Pierre died in 1669, leaving a son Philip, who was working in Florence in 1677. In 1647, Pierre was attracted by some offers made him on the part of Henry IV of France, and left Florence for Paris. There he received considerable emoluments, was styled Tapissier to the King, and provided with a workshop in the Garden of the Tuileries. He is known to have gone back to Florence in 1650, but to have returned to Paris five years later; he probably lived in Florence for about ten years, returning there for the last short period of his life. His son Jean, who came with him, does not appear to have ever quitted France, and he had the signal honour, on the establishment of the Gobelin factory, of directing with Jean Jans the high warp looms. Jans was a Flemish weaver, but had come to Paris to work in the royal l)uildings in 1654, and he had charge of the largest workshop of the new factory, giving employment to sixty-seven weavers, exclusive of apprentices. The second workshop, which was erected in the Garden of the Tuileries, was the one conducted by Jean LefËvre, and he appears to have had full charge of it until 1770, and to have earned for the Government a very large sum of money. The fine tapestry entitled "The Toilet of a Princess", which was in the Spitzer collection, was the work of Jean LefËvre, and three other pieces, representing Bacchanalia, hear his name on their selvedge One of his most wonderful works was entitled "The Toilet of Flora", a shcet of tapestry now preserved at the Garde-meuble. Cardinal Mazarin possessed one of his hangings entitled "The History of St. Paul", and he was probably largely responsible for the two series entitled "The History of Louis XIV", and "The History of Alexander".

MUNTZ, History of Tapestry (London, 1885); THOMSON, History of Tapestry (London, 1906); LACORDAIRE, Notice historique sur les Manufactures impériales de Tapisseries des Gobelins (Paris, 1853,1873), various articles in La Gazette des Beaux Arts.

GEORGE CHARLES WILLIAMSON